Category : Music · by May 18, 2015

Last December I took a trip to Ethiopia to work on a really exciting project – the debut album by Afro-Psych-Electro-Rock band MistO MistO.

We recorded a whole pile of amazing material, and I spent a few months editing, mixing, and adding lots of synth tracks. The album is now finished and I think it’s really fantastic, I’m super proud of it. Release details will be announced soon, but in the mean time the band have been making some teaser videos.

Check out “Ambassel”:

Recording in Ethiopia was not always the most straightforward thing, and one thing we had to contend with was frequent unexplained power outages. During one of these episodes we recorded this acoustic session…it’s so good that we’re thinking we should probably do a whole album of material like this!

More details to come soon. In the mean time, be sure to “like” MistO MistO on Facebook and share the videos far and wide.

Helmsdale, the album

Category : Music · by May 14, 2015

I’m very very pleased to finally post here to say that one of my recent projects is now ready for the world.

You can read all about it here: Helmsdale

In a nutshell, it’s a short album made out of recordings from a residency with Timespan in the Scottish highlands. You can have a listen, learn about the sounds I used, and you can even buy the album for yourself.

Digital copy is available for sale now, and you can pre-order a beautiful CD (shipping in early June).

Many many thanks to everyone involved, it was such a wonderful thing to work on.

Tewolde Reddacted

Category : Music, Sound · by March 19, 2015

Ethiopian 45

On a recent trip to Ethiopia I picked up a few old 45rpm records from the 1960s. They are super fun to listen to, though some of them are in really bad shape. I digitised the records and used some de-noising plugins with some good results, but one record by Tewolde Redda record has so far eluded my attempts at cleaning the sound. However when I pushed the de-noising plugins to their maximum settings they created a wonderfully abstract representation of the original music.

Have a listen to the result:

I love how you can still hear a lot of the rhythmic and melodic structures, but how they have been transformed into something that sounds almost like 1960s style spectral synthesis. It’s oddly fitting.

I’m currently working, among other things, on the recordings I made in Ethiopia. Some of those should be ready for release soon. In the mean time, if you’re interested in vintage Ethiopian music you can check out Kidus Berhanu’s Soundcloud page for some great mixes. He’s the one who sold me these records, and his collection and knowledge is fantastic.

Record shopping in Addis Ababa.

A video posted by Yann Seznec (@amazingrolo) on

Kildonan Chapel & Timespan Project

Category : Music · by October 13, 2014

I’ve just started a new project in partnership with Timespan, a wonderful arts/heritage center in Helmsdale, a small village in the north of Scotland.

I’ll be spending some time in Helmsdale, with the ambitious aim of trying to record a snippet of sound from every musical instrument in the village. I’ll then edit all of these recordings and use them to make some new music.

I’m currently on my way back home after my first stint. It was very rewarding indeed, both in terms of the sounds I was able to record as well as the general welcoming warmth extended to my wife and me. Everyone was enthusiastic about the project, and I got all sorts of tips about various musical instruments hidden around the town. Whilst recording a piano in one home, the owners mentioned that there was a small chapel 9 miles out of town that had an antique pump organ. Naturally, I had to go have a look.

Kildonan Chapel

My wife and I hopped on our bikes the next day, and enjoyed a beautiful ride to Kildonan Farm, where we found the chapel and the fantastic American organ.

Kildonan Farm

Kildonan Chapel Organ

I made some recordings for the project and I couldn’t resist making a video of the old Seznec Bros tune “Promised Land”:

The song seemed fitting, as the chapel and churchyard is full of commemorations of the Highland Clearances, when hundreds of local farmers in Kildonan were forced off the land. Many of them emigrated to the promised land of Winnipeg, and the area retains strong links to Canada, with Canadian and Scottish flags both hanging in the chapel.
Kildonan Chapel

Fat Fanny Stomp by Jim Clarke

Category : Music · by October 6, 2014

I’ve recently moved into an apartment with a funky old upright piano, and it’s super fun to play. To celebrate, here’s a video I’ve wanted to make for a while – Fat Fanny Stomp by Jim Clarke:

I’ve never been able to find out any info about Jim Clarke…the record was made in 1928 and it seems to be the only thing he recorded. You can hear the original here:

On that recording you hear him talk over the funny little chorus section, saying all sorts of hilarious things (gut it!) – but the piano playing is super funky as well. It somehow manages to be super minimalist and simple whilst still filling out nicely, and that strange chorus is a great breakdown. It’s a little blues gem, and something that stylistically just about straddles stride and boogie woogie.

If you’re looking for the score, you can find it in Barrelhouse and Boogie Piano – you can actually see the whole book as a pdf here (check page 41 for this tune). The book includes all of the lyrics from the original, though it curiously writes “Ho!” when he is clearly saying “Hold it!”. Hmm.

Anyway, I’ve made a MIDI file of the tune too, download it here if you’re interested or if you think it might help you. It’s a pretty easy little tune to play, but super rewarding and fun. My brother and I used to play it fairly often, I think we’ll have to get back into it.

Currents in Glasgow & Edinburgh

Category : Installation, Music · by July 30, 2014

Currents at New Music Biennial

After a super fun performance with my Fan Club in London at the Southbank Centre (which was subsequently broadcast on BBC Radio 3), we will be performing this week in Edinburgh at the opening of the Edinburgh Art Festival on Thursday evening and on Friday in Glasgow for the PRS New Music Biennial.

In addition, the installation for Currents will be opening up to the public starting this Friday, and running for the duration of the Edinburgh Art Festival. It is comprised of 172 fans inside a Victorian police box which recreate the current wind conditions from six locations around the world. I’m quite excited to open that up to the public.

The police box is on the corner of Easter Road and Albion Road, EH7 5QJ, and will be open every day from the 1st-31st of August, 10am-6pm. More info on the EAF website.

The show in Glasgow is on Friday August 1st at 8:30pm in Glasgow Concert Halls, and it’s free. More information here.

Photo by Elliott Franks.

The premiere of Currents

Category : Music, Sound, Sound Design · by July 4, 2014

Over the past few months I’ve been working on Currents, a project for the Edinburgh Art Festival and the PRS New Music Biennial.

For this project I am taking hundreds of discarded computer CPU fans and turning them into both musical instruments and an installation in a police box in Edinburgh. This weekend sees the debut of the instruments in a performance at the Southbank Centre in London where I will be accompanied by Sam Beste and Hugh Jones. We are, of course, performing under the name Yann’s Fan Club. The performance is at 1pm in the Purcell Room. It is free but ticketed. Full details here.

This project is about distance and technology, and how that intersects with our constant striving towards change and growth.

The instruments are now finished and we have done some rehearsing. Here are a few pictures of the finished instruments we’ll be using.
2 currents
3 currents

The performance will be semi-improvised, with a structure dictated by live wind data from around the world. At regular intervals the fans will switch to recreate the current windspeed in one of five locations, ranging from St Johns, Newfoundland (one of the windiest cities on the planet), to the suburb of Bangkok where the majority of the fans were produced.

Here’s a small glimpse of some early rehearsals with Sam. It was rather hot in the room, the fans came in handy.

The instruments are made of thick plywood, which I cut using a CNC router at the DCA print studio. Many thanks go to Rob Jackson and the rest of the DCA staff for all their help.

Most of them are controlled using MIDI, so we will be using standard keyboards and drum machines to ‘play’ them. The electronics are made with Teensy microcontrollers and a set of power circuits for switching. They are powered using standard computer power supplies which are, in turn, cooled by fans.

The first performance is Saturday 5 July at the Southbank Centre at 1pm. We will be performing again in Edinburgh on 31 July and in Glasgow on 1 August.

With the instruments finished I’ll next be working on the installation side of this project, which will be ready for the opening of the Edinburgh Art Festival at the end of July.

In the mean time, here are some pictures of the process of making the instruments.








The Sound of Whisky

Category : Music, Video · by May 13, 2014

Here’s music video I’ve made after a visit to the Jura Distillery. Go to the project page to learn more.

In C at the Barbican

Category : Matthew Herbert, Music · by October 4, 2013

Tonight I’ll be playing with Matthew Herbert + Stargaze at the Barbican in London, performing Terry Riley’s famous minimalist masterpiece In C.

Detailed show info on the Barbican website. It’s sold out, but I’ve heard that more tickets may become available before the show.

We did this performance once before a few months ago, at the Cologne Philharmonie, and it was great fun. This time I think it will be even better…

I’ve built a small family of mechanical drum machines using Meccano and solenoids. These will play different rhythms and keep time (the famous repeating C, for example). Here’s a video I made while experimenting and testing the machines:

I’ll also be doing some live sampling/looping/remixing, of course, together with Matthew and Hugh Jones (Crewdson). Hugh will be using his brilliant new hacked concertina, which is one of the nicest musical interfaces I’ve ever seen.

I’m really looking forward to it.

A short list of things.

This accurately represents my mind over the past six months.

A brief list (in no particular order) of things I have been up to over the past six months since the One Pig Scotland tour:

  • Lucky Frame (aka my awesome company) won a ‘Best Game’ BAFTA for Bad Hotel.
  • I performed a live set on BBC Radio 3 with the BBC Concert Orchestra and Matthew Herbert at the Roundhouse. I made some custom software and hacked a harpsichord. It was super fun.
  • Lucky Frame released Wave Trip, a music creation game, for iPad and iPhone, to much critical acclaim. You can see giant posters of it in an Apple Store near you.
  • The Seznec Bros performed seven shows in a tour of Scotland, including trips to the Highlands and Islands.
  • I performed Terry Riley’s “In C” at the Kölner Philharmonie with Stargaze, Matthew Herbert, and André de Ridder.
  • As part of the ‘Matthew Herbert Quartet’ I was part of the recording of the new album “The End of Silence“, made entirely out of the sound of a bomb. This is getting released in June, and we have started playing live shows, starting in Italy, Germany, and Australia.
  • Which reminds me, I went to Australia with Mr Herbert + co. to perform One Pig, The End of Silence, and a one-off piece called “One Room” at the Melbourne Recital Hall. Some interesting reviews here.
  • On a similar theme, I was in the group to perform “One Day” at the Thalia Theatre in Hamburg.
  • I spent four days in Aldeburgh and Snape as part of a Faster Than Sound residency with Peter Gregson, Pekka Kuusisto, and Reactify. I wrote a piece for Violin, Cello, and Electronics which was performed at Aldeburgh Music.
  • Our game “Bad Hotel” was nominated for an Independent Game Festival award in San Francisco, so the whole Lucky Frame crew went out there for a week to shmooze. We didn’t win, but it was great.
  • We’ve been working on a super fun project with Dundee Contemporary Arts, making generative data visualisations.
  • I have been teaching at Napier University and Glasgow School of Art.
  • I am very honored to have been selected for a PRS New Music Biennial award. I’ll be working on a new piece for Edinburgh Art Festival 2014.
  • Finally, I’m heading to Montreal tomorrow for a couple of shows with the Herbert band at Mutek. One Pig on May 29th and The End of Silence on June 1st.

So, it’s been quite an amazing first half of the year. Writing this post has been an interesting exercise for me in terms of looking back on what I’ve done. More soon!